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<?xml-stylesheet type="text/xsl" href="../assets/xml/rss.xsl" media="all"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Colour Science (Posts about Pointer's gamut)</title><link>https://www.colour-science.org/</link><description></description><atom:link href="https://www.colour-science.org/categories/pointers-gamut.xml" rel="self" type="application/rss+xml"></atom:link><language>en</language><copyright>Contents © 2026 &lt;a href="mailto:colour-developers@colour-science.org"&gt;Colour Developers&lt;/a&gt; </copyright><lastBuildDate>Fri, 09 Jan 2026 06:25:09 GMT</lastBuildDate><generator>Nikola (getnikola.com)</generator><docs>http://blogs.law.harvard.edu/tech/rss</docs><item><title>A Plea for Colour Analysis Tools in DCC Applications</title><link>https://www.colour-science.org/posts/a-plea-for-colour-analysis-tools-in-dcc-applications/</link><dc:creator>Colour Developers</dc:creator><description>&lt;div&gt;&lt;div class="cell border-box-sizing text_cell rendered"&gt;&lt;div class="prompt input_prompt"&gt;
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&lt;h3 id="Introduction"&gt;Introduction&lt;a class="anchor-link" href="https://www.colour-science.org/posts/a-plea-for-colour-analysis-tools-in-dcc-applications/#Introduction"&gt;¶&lt;/a&gt;&lt;/h3&gt;
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&lt;p&gt;As we are increasingly using wide gamut colourspaces (&lt;em&gt;ACES RGB&lt;/em&gt;, &lt;em&gt;Rec. 2020&lt;/em&gt;, &lt;em&gt;ProPhoto RGB&lt;/em&gt;) in the VFX industry, the need for better colour analysis tools is more important than ever. Today, nothing prevents an artist to generate or pick colours outside a given volume.&lt;/p&gt;
&lt;p&gt;We think that people working with DCC applications from &lt;a href="http://www.autodesk.com/"&gt;Autodesk&lt;/a&gt;, &lt;a href="http://www.adobe.com/"&gt;Adobe&lt;/a&gt; and &lt;a href="http://www.thefoundry.co.uk/"&gt;The Foundry&lt;/a&gt; need better tools to work with colour. This is especially true when we tend to work in scene referred lighting with floating point values.&lt;/p&gt;
&lt;p&gt;We are using the &lt;em&gt;ACES RGB&lt;/em&gt; &lt;em&gt;Sony F35&lt;/em&gt; still life image from this directory for our manipulation:&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.dropbox.com/sh/2uo12yepe8gg422/AAAtzFqm0eJgyf7TDHmTCXQFa/aces?dl=0"&gt;https://www.dropbox.com/sh/2uo12yepe8gg422/AAAtzFqm0eJgyf7TDHmTCXQFa/aces?dl=0&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;More images are available there: &lt;a href="https://www.dropbox.com/sh/bwfrqgyt20gz4dp/XShJffwvXR"&gt;https://www.dropbox.com/sh/bwfrqgyt20gz4dp/XShJffwvXR&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;This still life image exhibits a lot of colours that are very hard to reproduce and is a great example for the purpose of this document.&lt;/p&gt;
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&lt;p&gt;&lt;a href="https://www.colour-science.org/posts/a-plea-for-colour-analysis-tools-in-dcc-applications/"&gt;Read more…&lt;/a&gt; (8 min remaining to read)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><category>chromaticity diagram</category><category>colour</category><category>colour science</category><category>Pointer's gamut</category><category>RGB colourspace</category><category>spectral</category><guid>https://www.colour-science.org/posts/a-plea-for-colour-analysis-tools-in-dcc-applications/</guid><pubDate>Wed, 01 Oct 2014 16:55:00 GMT</pubDate></item></channel></rss>